John Berger (1984):
During the eighteenth and nineteenth centuries most direct protests against social injustice were in prose. They were reasoned arguments written in the belief that, given time, people would come to see reason, and that, finally, history was on the side of reason. Today this is by no means clear. The outcome is by no means guaranteed. The suffering of the present and the past is unlikely to be redeemed by a future era of universal happiness. And evil is a constant ineradicable reality. All this means that the resolution—the coming to terms with the sense to be given to life—cannot be deferred. The future cannot be trusted. The moment of truth is now. And more and more it will be poetry, rather than prose, that receives this truth. Prose is far more trusting than poetry; poetry speaks to the immediate wound.
Not that Nadezhda can be topped — she can’t — but that is, I think, a pretty straightforward version of what William Carlos Williams meant:
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
I have mentioned before the personal significance of a quote from Charles Taylor:
We are deeply moved, but also puzzled and shaken. We struggle to articulate what we’ve been through. If we succeed in formulating it, however partially, we feel a release, as though the power of the experience was increased by having been focussed, articulated, and hence let fully be.
Here’s Berger, a couple pages after the quote above:
To break the silence of events, to speak of experience however bitter or lacerating, to put into words, is to discover the hope that these words may be heard, and that when heard, the events will be judged. This hope is of course at the origin of prayer, and prayer … was probably at the origin of speech itself. Of all uses of language, it is poetry that preserves most purely the memory of this origin.
The right words, as Mrs. Mandelstam put it, “gain strength in the very process of overcoming the obstacles, as they thrust up through the mounds of debris under which they are buried, emerging in fresh combinations to bring out whatever ideas are seeking expression.”
I’m not going anywhere with this right now; just thinking. Dickinson praised the truth-in-slant as a kindness, and it is that. But I do think a significant part of telling or hearing or seeing something slant is in the knowledge that you have no choice but to do so.



